top of page
  • 2 days ago


My Brief Bio


Bill Schulz is a 6’10” power

forward for the Browntail Moths 

of Maine’s Pine Tree League.


Born in Siam and raised 

in a drunken bateau, Bill 

writes simultaneously in

 

at least three languages, 

including DOS and Silbo. 

He is a superb whistler.


Bill has written many manifestos, 

routines, and recipes in Silbo yet 

mostly DOS. He reclines in

 

Presumptive Heights with his 

alt personality ∞¶¶∞ and/or

a litter of Prince Fatta Spaniels.



GS with “Tanka” by Shizuka Omori, Translation by Yuki Tanaka


Why return to the sky if not for the birds

Composing their own choreography that


Criss crosses like skates on ice. I couldn’t

Figure eight on the pond. When I first step


Into the clouds I won’t be back

Like the Buddhist monk who saw the


Deer in his mind & transformed the second

He died into a fawn. No, to be a person


Who lived once is enough: to be the pronoun

I & know You Dear Luck if lacerated


By this life is absence like a river by

Its meaning indecipherable like lines the


Skaters make on ice, or cranes against the sunset—




Sean Thomas Dougherty's most recent book is Death Prefers the Minor Keys from BOA Editions.  He works as a caregiver and Medtech in Erie, PA.



I Am That I Am (Exodus 3:14)


When I return to the quiet wholeness

that I am without thoughts, I’m holding

a gila woodpecker feather—

black, white, black bars—dropped just outside

my driver side door at the hotel.

I don’t live here anymore. Phoenix,

I used to say I hate you—your paternal heat—

but I was already inflamed with an unfinished past,

unfinished pain that birthed incessant

thoughts, thoughts, thoughts.


When I return to my little desert treasure—

daughter made of stardust—

small enough to fit in a cupped palm,

big enough to evoke God(-size awe),

     I Am

watching a woman hold a feather—

her little-girl-heart looking up—

watching her search the many mesquite trees,

but there are no birds around—

just a million little leaves

that let (almost all) the light shine through.




Shagufta Mulla is the art editor of Peatsmoke Journal, a veterinarian, and a copy editor for online publications. Her poetry appears or is forthcoming in Five Points, Wild Roof Journal, Okay Donkey, Stoneboat Literary Journal, and elsewhere. She won second place in poetry for the 2025 Tucson Festival of Books Literary Awards, and in 2021 she won Blood Orange Review’s poetry prize. A former Arizonan, Shagufta now lives in Oregon’s Willamette Valley. Instagram.

  • Instagram
  • Bluesky_edited

© 2025 Hole in the Head Review
Contributors retain all rights to individual work

bottom of page